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Gunslinger Girl Three: A New OP

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Kurosaka "Ery" Erika
Il Direttore
Thescarredman
Hamster
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Post by Robert Frazer Sun 28 Feb 2010 - 14:48

While I enjoyed Kokia's theme for Il Teatrino - it's an enjoyable song on its own merits - one of the reasons why the Madhouse GSG anime was so memorable was because of its uniquely atypical OP; selecting a barely-heard Scottish indie band definitely couldn't be said to be a lucrative sponsorship deal! It allowed the music to be more consciously selected to fulfil the show's character in a meaningful way, rather than be imposed as a necessity to promote the latest L'Arc En Ciel album.

Let's say that you're the musical director for the third season of GSG, and you've been granted carte blanche by the producers to introduce whatever sound you think is appropriate. What music would you select for the OP? An opening sequence tends to be visually polished which is one source of appeal, but combined with the music it must describe the show, encapsulate its spirit, inform the viewers what to expect, set the atmosphere and tone and fix it in their minds.

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Muse - "Undisclosed Desires"

I've not been a great fan of Muse in the past, but their latest album, The Resistance, bowled me over. It might not be Desert Island Disc material, but it's most certainly rocketed up to a high place in my list of favourites. One song in particular though stands out as especially fitting for GSG:

[LINK TO MUSIC VIDEO]

Youtube Version:



Gunslinger Girl Three: A New OP Icon_razz


Seriously though... keeping the tradition of using little indie bands: The Jezabels - Hurt Me



Personally I prefered their first EP to the one this is off, but I do love this particular song.
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Post by Totoum Fri 5 Mar 2010 - 19:56

Would love to post a video but I don't have anything comparable to this,that song just screams OP material,nice find

I do want to nitpick about something though:

Robert Frazer wrote:While I enjoyed Kokia's theme for Il Teatrino - it's an enjoyable song on its own merits - one of the reasons why the Madhouse GSG anime was so memorable was because of its uniquely atypical OP; selecting a barely-heard Scottish indie band definitely couldn't be said to be a lucrative sponsorship deal! It allowed the music to be more consciously selected to fulfil the show's character in a meaningful way, rather than be imposed as a necessity to promote the latest L'Arc En Ciel album.

I see what you mean,but kokia isn't exactly an idol like a lot of other anime OP singers out there,she's a japanese indie artist,and I mean that literaly:she isn't signed to a major label.
In her 10 year career she had never done an anime OP before il teatrino.

So it's not as original as chosing the delgados but I still think it's more original than a lot of other OPs
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Post by tsundere9kagami2 Sat 6 Mar 2010 - 13:31

I think something outta within temptation would make a good op
https://www.youtube.com/watch?v=RYeXu7JfYHU&feature=related
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Post by Totoum Sat 6 Mar 2010 - 15:21

tsundere9kagami2 wrote:I think something outta within temptation would make a good op
https://www.youtube.com/watch?v=RYeXu7JfYHU&feature=related


link is broken for me Puzzled
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Post by Guest Mon 22 Mar 2010 - 8:49

Well, I'm determined to actually be active in this community for a change so here we go...

One of my choices would be the song Lamp Halo by Zeromancer. The video below is a Gunslinger Girl AMV done by Kisanzi using this song. Lyrics below the vid.





It's my life
Yeah I know
It's not a perfect one, but
It's a life
I can live with

It's my life
Yeah I know
It's not a perfect one, but
It's a life
I can live with

But you don't know
If you can
And you don't know
If you want
Cause you don't know
If I'm the right one
And you don't know
Well let me tell you

There's
Something inside
That's freaking me out
Please don't
Leave me alone
Something inside me
Is wearing me out
Please don't
Don't do it again

Just like a fly
On a jar
Twinkle, twinkle little star
You don't feel like you belong here
But it's your life
Even though
It's not perfect
It's a life you can live with

But you don't know
If you can
And you don't know
Well let me tell you

There's
Something inside
That's freaking me out
Please don't
Leave me alone
Something inside me
Is wearing me out
Please don't
Don't do it again

Something inside me
Is wearing me out
Please don't
Don't do it again

Something inside
That's freaking me out
Please don't
Leave me alone
Something inside me
Is wearing me out
Please don't
Don't do it again
Don't do it again


Last edited by darthlomar on Thu 20 May 2010 - 18:39; edited 3 times in total

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Post by Guest Mon 22 Mar 2010 - 17:57

Nice job

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Post by MP5 Mon 29 Mar 2010 - 20:53

I'm also thinking "Wasted Life" by Stiff Little Fingers:


ED:

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Post by MP5 Sat 7 Aug 2010 - 9:21

A bit off-topic, but if they ever ever animate the sequence of the assault on the bell tower in Venice, please, god, let this be the soundtrack to the slaughter:



And the one that's been playing on the J's as promo Mace Spray (I think you can still download it free off the Triple J website too)
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Post by Robert Frazer Tue 26 Oct 2010 - 18:28

If the third series of the GSG anime was going to focus exclusively on Petrushka, I've had a couple of ideas about how an OP would be directed.

One is to set it to Evanescence's "Bring Me To Life" - while it might be overused on the AMV circuit and it's a bit overwrought, it does reflect the general theme of the cyborgs and their relationships with their handlers. The sort of scene that I envisage would be to set the OP in a theatre - initially Elisabeta is up on the stage, blinking under the glare of the lights, while the camera slowly pans around handlers scattered about the seating and cuts briefly to off-centre shots of the younger cyborgs playing the piano and violin backing tracks. The stage's backdrop isn't composed of the usual plywood trees and barber shops, though, but rather targets. When the music reaches the first chorus, Elisabeta's transformed into Petrushka and proceeds to demolish the stage fittings, while Alessandro walks down the central aisle. It ends with the two staring at each other, and Alessandro applauding - slowly.

As the indie alternative, though, I've just been introduced to the band Shiny Toy Guns, and their track "You Are The One":



I was recently introduced to the band Nightwish - while a metal group might seem to be quite at odds with Gunslinger Girl's artfully understated character, I think that they have a symphonic, lyrical quality which does resonate with the same spirit. The lyrics of this song in particular seem astonishingly fitting for describing the nature of the secret war that the Agency fights and the desperate, driving need for revenge, as necessary as it is painful ("I don't want to die a scarless man"), the weird paradoxes that cement together the unnatural cyborgs ("I studied silence to learn the music, I joined the sinful to regain innocence"), and the intense and heartfelt relationships of the fratelli which only exist because of a world of suffering ("such precious joy is dead to the world") and how the handlers both use and are redeemed by their selflessness ("As he died, he will return to die in me again... who gave his life not for the world but for me, innocence reborn once more"). Even those "he"s and "boy"s aren't that much of a problem given that half the cyborgs have boys' names in the first place!
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Post by Nachtsider Tue 10 May 2011 - 18:35

In light of how bombastic some of the recent developments in GSG have been, I don't think a metal OP would be out of place at all.

Love Nightwish.
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Post by MP5 Fri 13 May 2011 - 16:08

for a lighter, softer, more sentimental ED, this 90's hit comes to mind:

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Post by sdp2501 Tue 24 May 2011 - 8:57

12012- SHUDDER

FEAR FACTORY- CYBERWASTE Gunslinger Girl Three: A New OP 732225 Gunslinger Girl Three: A New OP 732225

RAGE AGAINST THE MACHIEN- KILLING IN THE NAME OF
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Post by SPARTAN 119 Mon 30 May 2011 - 18:11

Nachtsider wrote:In light of how bombastic some of the recent developments in GSG have been, I don't think a metal OP would be out of place at all.

On that note:

The Day You Died
Arch Enemy



Lyrics:

A precious child with an innocent mind
Born to suffer, in this life or for another
So hopeless and relentless falls this remorseless world
The remains of a violent world

Chorus:
The day you died my tears ran dry
I feel you, I hear you echo in my soul
I failed you, I miss you so
The day you died echoes in my soul


This worlds on fire-turned its back on us
A lost horizon left behind
So hopeless and relentless falls this remorseless day
The dark reality of a hostile world

Repeat Chorus

Bridge

Repeat Chorus


Fits particularly well with Enrica, Elsa, Angie, Beatrice, Silvia, Chiara, and now,
Spoiler:
.
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Post by MP5 Mon 30 May 2011 - 20:18

If you want to be overly tongue-in-cheek/completely unoriginal, how about an ED that may suggest a hint as to how a candidate undergoes the cybernetic augmentation process?



The reasoning behind including this song is a relatively simple one - it's another entry that ticks the boxes to be added to the list of mellow, lyrical, melancholy-tinged offbeat indie rock. It also has an assortment of lyrics that can be easily adapted to a theme of wretched compromise and the strange beauty of desperation and destruction, and I also love the image of deadly delicacy evoked by the line "dance like sparks from a muzzle".
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Post by MP5 Wed 1 Jun 2011 - 21:09

I have this song on my Sansa, and while listening to it, I thought this song by Megan Washington might fit the kind of bill that 'The Light Before We Land' by The Delgados would:

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Post by Robert Frazer Fri 22 Jul 2011 - 22:33

Muse - Starlight

I've represented Muse on this thread before, but I must return to them. Muse is an intriguing prospect: with tremendous showboating live sets and a raft of Gold albums they are as popular and mainstream as you can be, but with their scruffy appearance they still retain an indie sensibility, and with their classical roots and musical structure there's always the suggestion of something grand and frim rising up from underneath the effervescence. With all of these layers in their work they really do strike me as one of the ideal bands to represent the character of GSG. They also contribute to this with introspective, reflective themes that suit the generally slower pace of the show and its focus on expressing states of character. As well as having lyrics that could easily be construed as direct references ("All the souls that would die just to feel alive"), "Starlight" takes a tale of alienation and makes it an anthem - it seems designed for GSG and its terrible grandeur, cracks shot through the beauty of Italy.

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Post by Odon Wed 7 Sep 2011 - 10:32

How about "I just dropped in (to see what condition my
conditioning was in)" by Kenny Rogers. Very Happy

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